At Slate, Jonah Weiner's write-up on 'Inception' is filled with sentences like:
Added up, Inception is something of a love letter to some of Nolan's favorite films, and his extracting, forging, architecting heroes are not simply culture-bludgeoned victims, but emblems of that liberated Postmodern figure, the remixer, who bends and subverts mass culture to his will.
and
There is a certain claustrophobia to this vision, too—a sense that there's nothing new under the sun, even in dreams, and that mass culture has co-opted our inner projectors.
So, if you're into that kind of thing head on over.
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