'The Way, Way Back'

Yes.

Don't know what part I like better. Everybody delivers. It's all good -- story, character, direction, blahblahblah.

What a charmer. Total score -- Must-buy-on-Blu-ray






















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Stills from 'Seeking a Friend for the End of the World'

Patton Oswalt is pure money. This guy brings indie cred to product-y movies. That jacket is a mess, though. Shoot the tailor, or I guess, in this case, the guy that took the jacket out of the box, put it on a hanger, stuck it on the rack, and it marked down for quick sale. Still, it looks good on Oswalt and I mean that in the best possible way.

MTV has more. 

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Must See Trailer for 'Seeking a Friend for the End of the World'

The thing this flick has is that 'what's going to happen next' energy. If you care at all, if this story connects with you on any level, you have to know -- how's it going to end? What's the twist? There must be a snappy ending, a surprise, something worth it all. There must.

Trailer spools out with confidence. I don't think I've ever been as impressed by Steve Carell or Keira Knightley. They just click in this.

I put the poster up a couple days ago.












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Poster for 'Seeking a Friend for the End of the World'

I'm going out on a limb -- this will be great. People will love this. May not rake at the box office -- might, but probably not -- but will be well done, appreciated.

Great poster. One of the best US posters I've seen. Manages to be character-centric and, along with that cute and on-the-nose title, serves up the plot in a nutshell.

For the detail-oriented, here's the synopsis:

As an asteroid nears Earth, a man finds himself alone after his wife leaves in a panic. He decides to take a road trip to reunite with his high school sweetheart. Accompanying him is a neighbor who inadvertently puts a wrench in his plan.

Lorene Scafaria (who acted in 'Nick and Norah's Infinite Playlist' and 'The Nines'), makes her directorial debut. With Steve Carell and Keira Knightley -- perfect, couldn't be better. I see nothing but a charming, engaging film.

The tag "Nice knowing you" puts a tidy bow on the package.

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Steve Carell Talks 'Crazy, Stupid, Love' with Charlie Rose

Carell's part starts at 19:30

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New Trailer for 'Crazy, Stupid, Love'

Just when you think you have a movie pegged they roll out a trailer with a whole different vibe that zigs when you expected it to zag.

So far, trailers for 'Crazy, Stupid, Love' have had that wacky sex comedy thing going on and it was working just fine. The movie looked like it was for the average everyday person and pivoted on crude jokes and predictable skits spiked with appropriate raunchiness, one-liners, slapstick-y physical gags, and had a fun kinda dirty pop/dance sorta 80s soundtrack. It seemed to be another Steve Carell summer popcorn vehicle that happened to include indie regulars Julianne Moore and Marisa Tomei for depth and credibility (along with the very solid and very indie Ryan Gosling and Emma Stone). And, icing on the cake, Kevin Bacon.

I was fine with that. The movie looked funny, easy to digest, and we can always use one of those.

In this new trailer, though, the movie plays like a smart observant indie with slow-burn comedic flare and subtly drawn characters that negotiate slice of life situations without missing a beat, and heartfelt performances that aren't out for crude laughs but keep you giggling at bits that feel real and have that 'Oh, yeah, I've been there' feel, featuring an introspective alternative soft-rock soundtrack that you're a little embarrassed to admit you really like. Here, Carell isn't the star carrying the movie but part of an ensemble. Moore, Tomei, Stone, and Gosling (and, icing on the cake, Kevin Bacon) aren't guests in a big summer comedy but at home in a cozy quirky intelligent dramedy (albeit one laced with raunchiness) about love, sex, marriage, and family. It's as funny as the first trailer and, if anything, more appealing.

Which would I rather see? Seems I can have both. I'm there.

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Poster for 'Crazy Stupid Love'

Nice

Trailer for 'Crazy, Stupid, Love.'

With Steve Carell, Julianne Moore, Marisa Tomei, Ryan Gosling, Kevin Bacon, and Emma Stone

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Steve Carell

With Charlie Rose

Dan In Real Life

Steve Carell hits his stride in 'Dan in Real Life'.

1408 Trumps The Almighty Evan

The CGI bloated series of shallow situational set-pieces, 'Evan Almighty', will finish the weekend with an anemic $32 million -- and rightfully so. Even watching the trailer I could see this movie was probably going to be an almighty failure at the box office (as I mentioned here).

'Evan' isn't bad, it's just inappropriately cast. Steve Carell, is not the type of actor who can carry a movie like this. Carell is a very funny guy and is now shoulder-to-shoulder with Will Ferrell as a go-to comedy headliner, but his characters face problems that are based in reality. He excels at portraying the Everyman grappling with something ridiculous (but down to Earth), like being a 40 year old guy trying to lose his virginity.

If Carell's role had been played by someone that delivers the over-the-top energy needed for 'Evan', such as, oh, Eddie Murphy, people would have flocked, two by two, to the nearest theater. If anybody can do situational schtick it's Murphy.

I think Carell can carry big-budget movies but not ones that are based on schtick. Since I'm trashing Mr. Carell's movie with the benefit of hindsight, I'll go on record now as predicting that 'Get Smart' (due 2008) will be a huge hit. Okay, I know what you're thinking -- 'Get Smart' isn't based on schtick? Well, yes but it's character-driven schtick, not concept-driven...okay, that would take too much time -- I'll just move on and agree with the conclusion you've probably already come to -- that I can't be held accountable. (However, I'm not asking anybody to spend $200 million on situation-based schtick using a character-actor in the lead).

Back to this weekend's box office: 'Evan Almighty' couldn't compete with the icy character-driven energy of '1408', which took in a whopping $20 million and looks like it will be a huge success for the belabored Weinsteins. (John Cusack is known for bringing life to character-driven stories -- and finds himself at home in room '1408').

In my mind '1408' took the top spot -- it has an average of $7500 on 2678 screens, while 'Evan' scored $8900 on 3604 screens. Considering one is supposed to be a summer blockbuster and the other is a character-driven creepfest, '1408' wins despite coming in second.

You might not agree with my logic but it's clear 'Evan Almighty' failed (for some reason[s]) while '1408' is a hit (for some reason[s]).

Note to Marketing at Universal: If you're going to put Steve Carell in a comedy, make it character-driven. If you need a guide, see '1408' or 'The 40 Year Old Virgin'. PS -- don't spend $200 million on comedies.

In Evan We Trust

You know the feeling. You're watching a trailer for some new movie and after a few seconds you're thinking 'no way'. That's how I feel about 'Evan Almighty'. This picture looks like too many (desperate) Hollywood chefs have spoiled the broth.

Here, Hollywood is on autopilot -- take a hit and roll out a sequel with the best resources available no matter how much it costs or how inappropriate the blend of stars and story elements is.

'Bruce Almighty' had the right blend of ingredients: The over-the-top style of Jim Carrey balanced with the girl next door energy of Jennifer Aniston, set against the backdrop of a premise that clicked -- 'Man gets the power of God' (complications ensue).

Steve Carell is a funny guy but he has always worked on a smaller canvas than Carrey. Carell is the Everyman trying to make it despite everyday problems. Carrey's characters are loud, pratfalling, purposefully off-putting clowns who strive for dominance -- a perfect choice for 'Bruce Almighty', (and for 'Evan Almighty'). I'm not really a fan of Carrey's work, but 'Evan' could use his energy.

Then, there's the comparison of premise to consider. How does 'A guy is told he must build an ark' compare with 'A guy gets the power of God'. One pegs the meter and the other seems like a series of problems -- where will I get the wood, how will I know how to build an ark, how will I gather the animals, etc. I guess that could be funny but it doesn't have the universal appeal of regular person trying to deal with the problems incumbent with being Chief Administrator of the World.

I like Carell but I think he's mismatched here. He's too...oh...polite for this movie. So, I think the Hollywood marketing guys have their backs against the wall on this one. A movie with a $200 million dollar budget that has a lead who's a natural for smaller movies is going to be tough to explain should 'Evan' fall short at the box office.

Even 'Evan Almighty' director Tom Shadyac acknowledges there's a problem. In an interview he says:

"Spider-Man 3 cost around $300 million. We're $170 million-plus -- (that's) the official figure although even I don't know what it was (for certain). We're one of the cheaper summer movies, yet we're a comedy, so it's unique. But it's also much more than a comedy. We're a biblical epic with an ark and thousands of animals and a flood.

Comparing 'Evan Almighty' to 'Spider-Man 3' and selling the movie as a biblical epic with an ark sort of tips your hand, doesn't it? On the plus side, the always charming and pitch-perfect Morgan Freeman returns as God, and that's not bad.