But, wait! There's more! Yes! More! They also have 10 clips from "Casino Royale"! That's right! 10 clips!
Hey, I've watched these and they're all good. People are saying this is the best Bond pic ever and I have to agree -- the pithy quips actually move the plot along and have a natural feel (as natural as dialogue gets in a Bond movie), thanks to writers Neal Purvis and Robert Wade. The editing and camera are top drawer material -- nod to director Martin Campbell. The action sequences have a lot of pop while maintaining plausibility (unlike previous Bond fantasies), and the babes are the hottest ever in a Bond film -- bar none. Don't believe me? See for yourself.
The Reeler has a podcast interview with "Fur" director Steven Shainberg. Here is their intro:
As reported last week on The Reeler, there's been a lot of weirdness surrounding director Steven Shainberg's latest film Fur: An Imaginary Portrait of Diane Arbus, which opens today in New York. There's lead actress Nicole Kidman absent at her own premiere, Robert Downey Jr. covered in hair, a combustible exchange or 10 between Shainberg and his critics, and God knows what else I'm missing. But set all of that aside for a second and just consider the film, which is actually a well-made little fairy tale about Arbus' transition from loyal housewife and her husband's photography assistant to being a internationally acclaimed photographer in her own right. It has its narrative flaws, agreed, but it also wields its titular imagination in wildly revealing and magnanimous ways, and should be considered on its own terms rather than those demanding a Behind-the-Musicesque concession to bloodless melodrama.
But enough of me: I asked Shainberg about where Fur came from, where he tried to take it and what he makes of the reaction it has received since its festival roll-out late last summer. It's an intriguing listen.
November 13, 2006
Will Mel's recent PR blip vitiate the box office of his Mayan opus "Apocalypto"? How strong will the Latino audience be? From NPR's Morning Edition:
Mel Gibson's new movie, Apocalypto, opens on December 8.
The film is performed entirely in a Mayan dialect and has not stars. So its distributor, Walt Disney Company, faces quite a marketing challenge.
Gibson is hoping to generate support for his project through a grass-roots movement among Latino audiences.