Tuesday, July 16, 2013
A Sean Penn Action Movie?
You bet. That's Sean Penn in 'The Gunman'.
Not that I have anything against the idea. I can't wait to see Penn in action mode. It's just disorienting to look at this picture. Is there really enough political gravitas in 'The Gunman' for Penn to chew on?
Script is by Pete Travis who has only done TV and the plot is fairly stock. From IMDb: "An international spy must clear his name in order to save himself from the organization that he used to work for."
However plain and direct the story may sound though, Travis apparently infused the screenplay with something good enough to entice Idris Elba, Javier Bardem, and Ray Winstone to join Penn.
Directed by Pierre Morel (Taken, District B13) who has a way with the camera, lighting, and editing.
At this point, just based on the above, 'The Gunman' looks must-see, can't-miss. Due 2014.
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Friday, August 31, 2012
New Trailer for 'This Must Be The Place'
Mixed reviews and not a lot of interest in general, but trailers have been must-see. So well cut. Probably required viewing but only for movie buffs.
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Wednesday, May 09, 2012
Jaw-Dropping Trailer for 'The Gangster Squad'
Sean Penn is huge here. Ryan Gosling looks good. Josh Brolin looks good. Nick Nolte looks good (was wondering if that was still doable). Emma Stone looks very good (I knew that was still doable).
Even if they took a lot of liberties with the facts, this movie rocks. If they're telling it like it was, this movie will crush.
"A cop that's not for sale is like a dog with rabies. You just gotta put him down."
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Friday, March 02, 2012
Another Poster for Sean Penn's 'This Must Be The Place'
Saturday, February 18, 2012
Sean Penn's 'This Must Be The Place', Great Posters, Mixed Reviews
Striking, compelling, draws you in, makes you wonder.
Especially like the one with Penn's face fragmented, suggesting the character has a personality to match. The UK banner with Penn in a goth overcoat, guitar slung on his back, looking silly with a roller case, heading down the middle of a deserted road in the desert under an odd green sky is way off-kilter, yet you feel a connection to the protagonist, you almost need to know what's up with him, why he's there -- you can't help wonder what the storyline is.
Very effective graphics. Reviews, on the other hand, have been mixed.
This from Peter Bradshaw:
For his technique, ambition and reach, 40-year-old Italian director Paolo Sorrentino is justifiably considered an emerging master of modern cinema, crucially nurtured here at Cannes. His new English-language film, This Must Be the Place – starring Sean Penn as Cheyenne, a retired goth rocker living in Dublin – has superbly elegant and distinctive forms: looming camera movements, bursts of pop, deadpan comedy, quasi-hallucinatory perspective lines in landscapes in which singular figures look vulnerably isolated. There's an awful lot to enjoy here and yet I couldn't help feeling that, when Cheyenne leaves Ireland to journey into the classic American midwest on a mission to find the fugitive Nazi who tormented his father in the camps, the film becomes derivative and Wim Wenders-ish.
and
For me, the Holocaust material was not entirely successful, though certainly transmitted with absolute certainty and sincerity. This Must Be the Place is not my favourite of Sorrentino's films, but it certainly deserved inclusion at Cannes, and deserves to be watched for the glorious Byrne moments alone.
Eric Kohn:
The issue with "This Must Be the Place," Italian auteur Paolo Sorrentino's first English language feature, has nothing to do with whether it makes light of the Holocaust. That might be a worthy debate if it didn't face other problems. Chief among them: An uber-campy Sean Penn performance, a gratingly quirky soul-searching plot, and character motives that barely make any sense. It's far too much of a godawful mess to merit serious moral scrutiny.
Jay Weissberg:
Paolo Sorrentino's coolness credentials are well established, but he's earned the right to be considered "cool" in an entirely different way with "This Must Be the Place," a film that brims with warmth, humanity and respect in ways one doesn't often find in the work of coolmeisters like David Lynch and Quentin Tarantino. Quirky, hilarious and moving, Sorrentino's first English-lingo production is a road trip of stunning scope yet deep intimacy, featuring an aged rock star-turned-Nazi hunter played by Sean Penn at his transformative best. The pic may baffle but is certain to generate massive highbrow press and long-term cult status.
Posters, stills and, to a lesser extent perhaps, trailers are all so visually original, so quirky, the story so nuts-but-still-somehow-real, I can't see how I can let this one slip by. Will have to check this movie sometime.
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Wednesday, July 13, 2011
Trailer for 'This Must be the Place'
Wednesday, June 08, 2011
Making-Of Featurette for 'The Tree of Life'
Thursday, May 26, 2011
Some Background on Bradley Cooper
There's mention of Cooper's emotional reunion with James Lipton on Inside the Actors Studio. I got curious so searched for video. If you haven't seen it, yes, it's very emotional, very good.
Found this which is fun. Cooper, when he was a second year drama student, asking Sean Penn about his role in 'Hurlyburly'. (In the first segment above, Lipton mentions that he had told Cooper's parents he would go all the way and be a success in Hollywood. In this clip you can tell -- Cooper had focus, what it takes -- it's just so clear this guy is headed for a successful career).
Saturday, May 14, 2011
Sunday, April 17, 2011
Trailer for 'This Must Be The Place'
Thursday, December 16, 2010
Trailer for 'The Tree of Life'
Transcends 'must-see' status. Must experience.
How many times do you say something like that.
Thursday, August 19, 2010
Wednesday, July 21, 2010
Wednesday, September 03, 2008
Sunday, September 23, 2007
Sunday, September 16, 2007
Penn And Vedder Into The Wild
These guys are refreshingly direct. When asked what made him pick up the book, Penn says, 'The cover grabbed me--the bus, the image of the bus with the title Into the Wild on it. I've made a lot of decisions in my life that you could call judging a book by its cover. And I've become a real advocate of it. So I took the book home, and I read it cover to cover twice, and I went to sleep in the wee hours and immediately got up in the morning, and I saw in essence the movie that you saw last night.' Of working with a live bear he says, 'You say, "Good boy," all day long. Or the trainer does. And he gives him a lot of chocolate whipped cream.'
I really liked that cover too -- it just speaks to me. People are loving the movie -- can't wait to see it.






