Rave Reviews

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Buttery Popcorn Crowd-Pleaser Trailer for 'Flight'

Fun. All this needs is a nice twist and it'll score. But, even without a twist, even if it's by-the-numbers with a predictable ending, it'll still score.
























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Poster and Drop-Dead Trailer for Denzel Washington's 'Flight'

Wait. There's a movie directed by Robert Zemeckis starring Denzel Washington?

Okay, Zemeckis is a tech craftsman -- his camera is flawless, and Denzel is...well...what do you say about this guy. He nails it every time.

This is pure money. Can't wait. I may see this in the theater, that's how good this trailer looks.

Made my day.
















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Beowulf Featurette

Here's a look at the making of 'Beowulf' with comments by director Robert Zemeckis, production designer Doug Chiang, and writers Neil Gaiman and Roger Avary. Some cool storyboards, and a look at some very nice use of 3-D.

Zemeckis' Vision

Trailer #2 for 'Beowulf' is up, and this one gives us a much better idea of director Robert Zemeckis' vision for this movie than the first trailer. His camera, of course, is never still but never looks busy. The performance-capture is more natural-looking than Zemeckis' previous attempts -- 'The Polar Express' had a pasty 2-D feel, and 'Monster House' (while better) covered the range from cartoony in some scenes to eerily realistic (even bizarre) in others.

From the look of 'Beowulf' one gets the feeling Zemeckis is in his element and would prefer not to work in conventional live-action film again. (In fact, his next project is an animated version of 'A Christmas Carol'). Unlike 'The Polar Express' and 'Monster House', 'Beowulf' could be considered a live-action movie which happens to have been shot using an alternate technology in order to support an effects-driven plot, but which is filmic in all other traditional respects -- it has parts which call for the physical talents of good actors (i.e., they can't be drawn or conjured up in a computer [at least, not as convincingly]), and dialogue which is not on-the-nose or 'animation-esque', as well as subtle and non-verbal acting (quite a feat for a performance-capture piece, which, before this, relied on obvious acting and artificial over-expression).

The first trailer really didn't do it for me, but this one has me sold. Zemeckis is going for story here, not product, and yet it would seem he has found the best of both worlds...the beautiful acting found in the best movies, captured (intact) and transplanted into a world where anything can happen. His results are convincing.