Showing posts with label Luc Besson. Show all posts
Showing posts with label Luc Besson. Show all posts
Thursday, June 06, 2013
'The Family' -- Sharp, Interesting, A Little Dumb, A Little Smart
Plays interesting and dumb, then you see it's directed by Luc Besson and you wonder -- okay, Tommy Lee Jones, Robert De Niro, and Michelle Pfeiffer -- with Besson behind the camera...might be charming. So, looks dumb, might be charming. Has to be charming.
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Friday, October 05, 2012
Shooting The Bad Life: 'Malavita'
Luc Besson directs from a script by Michael Caleo based on the novel by Tonino Benacquista. The logline from IMDb:
Well. That could lead anywhere. However, with Robert De Niro (as the retired gangster no doubt), Tommy Lee Jones, and Michelle Pfeiffer it should be easy to watch.
Looks like it's easy to shoot what with all that red wine.
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- A retired American gangster relocates his family to Normandy and lives under the witness protection program.
Well. That could lead anywhere. However, with Robert De Niro (as the retired gangster no doubt), Tommy Lee Jones, and Michelle Pfeiffer it should be easy to watch.
Looks like it's easy to shoot what with all that red wine.
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Labels:
Luc Besson,
Michelle Pfeiffer,
Robert De Niro,
Tommy Lee Jones
Monday, April 02, 2012
The Restaurant Scene: La Femme Nikita
Lots of good scenes in restaurants. Scorsese's tracking shots from 'Goodfellas' comes to mind. I like this one from 'La Femme Nikita'.
Directed by Luc Besson in 1990, with Anne Parillaud and Tchéky Karyo. Lovely subtle emotions, lots of stuff between the lines (typical for a French film), and great camera/editing. I like the juxtaposition of elegance and brutality, intimacy and betrayal, then pain followed by resolve to do your job in a professional manner.
This was remade by Hollywood as 'Point of No Return', directed by John Badham with Bridget Fonda and Gabriel Byrne -- a by-the-numbers walk-through that offers the advantage of not having subtitles as it was done in English.
'La Femme Nikita', on the other hand, is one of the most rewarding flicks I've ever seen. It plays in a single breath and you never, for a second, feel disconnected. It's very nearly spellbinding.
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Directed by Luc Besson in 1990, with Anne Parillaud and Tchéky Karyo. Lovely subtle emotions, lots of stuff between the lines (typical for a French film), and great camera/editing. I like the juxtaposition of elegance and brutality, intimacy and betrayal, then pain followed by resolve to do your job in a professional manner.
This was remade by Hollywood as 'Point of No Return', directed by John Badham with Bridget Fonda and Gabriel Byrne -- a by-the-numbers walk-through that offers the advantage of not having subtitles as it was done in English.
'La Femme Nikita', on the other hand, is one of the most rewarding flicks I've ever seen. It plays in a single breath and you never, for a second, feel disconnected. It's very nearly spellbinding.
.
Friday, February 17, 2012
Thursday, February 16, 2012
Wednesday, February 01, 2012
The Ladies
Michelle Yeoh portrays Aung San Suu Kyi in the upcoming 'The Lady', directed by Luc Besson. It's been mentioned but I'm still struck by the resemblance between the two. Remarkable.
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Thursday, April 21, 2011
Tuesday, March 22, 2011
Trailers for 'The Extraordinary Adventures of Adèle Blanc-Sec'
Aka 'Les Aventures Extraordinaires d'Adèle Blanc-Sec'. Written and directed by Luc Besson. Just great. Must see.
posters
posters
Sunday, May 20, 2007
Luc Besson
Jaime Wolf, who usually writes for NYT Magazine, has a very nice piece regarding Luc Besson's un-French style of moviemaking:
...he has almost single-handedly dragged French cinema, kicking and screaming, from the art house into the multiplex.
To the chagrin of French critics and cinephiles, the scale of this success has reoriented French filmmaking away from the literary-intellectual tradition for which it is famed.
Besson has 'Angel-A' (pictured) set for release in the US on May 25.
I like Jaime's style of writing. He (she?) has the essayist's flair and it's a welcome change from the brass tacks style usually found at NYT, which is so incongruent with coverage of Hollywood.
Saturday, May 19, 2007
Cannes In The Hood
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