Poor inserts, crunchy editing, and stunts that either disregard the laws of physics or take advantage of a series of (traffic?) ramps which are fortunately placed just so, though not seen -- I found myself stifling giggles. Writer-turned-director Tony Gilroy does his best to emulate Doug Liman's style -- the guy redefined the car chase sequence in 'Identity' -- however Gilroy's work just doesn't flow.
Good thing: it doesn't reflect at all on the rest of the movie...I hope.
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