...propelled by Christopher Drake’s haunting, moody score, Vietti’s Batman: Under the Red Hood excels, like Nolan’s The Dark Knight, as a psychological thriller masquerading as a superhero film. As nastily violent as it is, it’s also engorged with intimacy and vulnerability, just waiting for a justifiable psychotic like the Red Hood to come along and puncture it with a knife, automatic rifle, or whatever’s around.
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